If you turn the Denver Airport upside down you will see the 666 number of the Antichrist.
Now upside down.
A black 6 is followed by a white 6 which is followed by a black 6.
Denver Airport Occult Cathedral & Pale Horse
The Denver Airportis an occult New World Order cathedral complete with a dedication capstone.
"When He opened the fourth seal, I heard the voice of the fourth living
creature saying, “Come and see.” So I looked, and behold, a pale horse.
And the name of him who sat on it was Death, and Hades followed with
him. And power was given to them over a fourth of the earth, to kill
with sword, with hunger, with death, and by the beasts of the earth."
Revelation 6:7-8
The
pale horse of the Apocalypse with demonic red glowing eyes that welcomes
people to Denver Airportis also
what people entering the gates of hell may see. In the Bible this pale
horse is the fourth horse of death. The horse of death will deliver
death with famine, weapons, and disease. The Denver Airport
pale horse is 32 feet high with
veins on the brink of exploding. The statue fell on its creator and
killed him earning the nicknames Bluecifer, Satan's Steed and Blue
Devil. No matter how you look at it, this is certainly not appropriate
for children or a comforting symbol for people concerned about air
travel safety.
Symbols are often
displayed in public places because creating spiritual energy is
extremely important in the NWO religion. NWO insiders believe that by
putting messages of what they are doing in the public thoroughfare in a
way that escapes public understanding creates a dark deception energy
that is needed to hoodwink people to support the one-world agenda. The
dark deception energy is the same reason it was a priority for Freemason
President Franklin Roosevelt
to have the All Seeing Eye
on the back of the U.S. dollar bill.
The Denver Airport apocalyptic glowing red eyes horse, Masonic capstone, nightmarish murals, gargoyles, embedded floor symbols, and the swastika shaped runways are seen daily by thousands of people yet few understand what they are looking at.
People often find claims that the Denver Airportis an occult cathedral absurd until they read the above dedication capstone. Carved in stone, the March 19, 1994 dedication capstone was laid by the Prince Hall Grand Lodge F & A. M. of Colorado and Jurisdiction. The grandmaster of this lodge is Claude W. Gray, Sr. A second lodge, the Grand Lodge of A.F. & A.M. of Colorado, is listed with Benjamin H. Bell, Jr. as Grand Master. In the middle of the dedication names is the Masonic square and compass symbol. Under the symbol and date is "New World Airport Commission."
Buried
below the dedication is a capsule that is to be opened in 2094. In 2010
I took photos of the Freemasonry capstone, and noticed outside the
window behind the capstone a 26 foot high statue of Anubis, the Egyptian
god of death.
The
1994 and 1995 nightmarish murals by Leo Tanguma were added to four
interior airport walls. Tanguma was assisted by Cheryl Detwiler, Bill
Meredith, John Ochsner, and Leticia Tanguma. The official Denver Airport website
claims the murals communicate children of the world dreaming of peace.
Even with a basic knowledge of occult symbolism it is clear two murals
tell the American and Global Hiroshima story. When all four murals are
combined, we see the story of the one-world government and rise of the
Antichrist who is represented by a boy in a Bavarian costume. The
assigned names are false so I have provided an accurate name and the
sequence for reading the murals.
The first mural in the series is not "Global Hiroshima" to create the conditions for humanity to welcome a New World Order.
The
Global Hiroshima mural shows green gas choking a city, forests burning
out of control, animals become extinct, plants dying, children crying,
and the death of three girls in open-caskets. The three girls represent
the death of many Africans, the death of many Native Americans, and the
death of Jews and Christians. The girl in the open-casket on the right
is wearing a "Juden" star and has a rose and a Bible under her hand
representing a key NWO objective to eliminate Jews and Christians. A
leopard is shown scarified on an altar, and both a leopard and a similar
looking young woman seem to reappear in the fourth mural. One child
holds the Mayan tablet communicating the end of an era.
The second and third murals are connected by a rainbow and are read from right to left.
On
the right, the second mural shows a ghostly demon soldier awaking to
slaughter humanity. This mural should be called "World War III." The
all-powerful demon soldier wears a gas mask. He holds a machine gun in
his left hand and a scimitar or large curved sword in his right hand.
This soldier of death is trying to kill a dove with the scimitar, which
is a Masonic symbol, and also symbolic as a Muslim sword. The NWO
soldier uses the Muslim sword to destroy three buildings and kill the
dove of peace. The three buildings may represent the Twin Tower and
Building 7 destroyed on September 11, 2001 as this is a key event to
lead the world toward World War III.
Mothers in a never-ending line hold their dead children in their arms. A
dead child holds her teddy bear. A rainbow at the top of the picture
transforms into deadly gas and a new holocaust strikes the earth. The
World War III mural shows people dying from bio-weapons, and the mural
links a real letter written by Hama Herchenberg with the gassing of Jews
at Auschwitz. In the bottom right of the mural the letter written by
Herchenberg, who was murdered when she was 14 years old, has the
following message.
"I
was once a little child who longed for other worlds. But I am no more a
child for I have known fear. I have learned to hate...How tragic, then,
is youth which lives with enemies, with gallows ropes. Yet, I still
believe I only sleep today, that I'll wake up, a child again, and start
to laugh and play."
Since
most of the Jews at Auschwitz and other prisoners were killed by Zkylon
B gas, the mural delivers a message that most of the people die from
bio-weapons although guns and other weapons are used.
The third muralshows the symbol of militarism as dead. The appropriate title for this mural is "Trading Liberty for False Security."
The
machine gun is broken and two doves sit on the weapon. A new world
leader is using a hammer to turn the scimitar into something useful. The
nations of the world following a World War III Global Hiroshima event
agree to disarm and form a one-world government. All the weapons are
delivered to a German world leader wearing Bavarian clothing. A boy
representing the U.S. in a boy scout uniform gives all his weapons to
the German one-world leader. In this mural, the victor of World War II
is surrendering U.S. national sovereignty to a Germany after World War
III.
The fourth mural should be called the "Christ Rejected."
The
NWO is established, and nowhere in the picture is a Jew or Christian to
be found. In this mural the global population now adhere to the NWO
Georgia Guidestones commandment to keep humanity under 500 million
people. The people in the mural appear to be at an altar, and instead of
celebrating the Eucharist, they are mesmerized by a genetically modified
plant on the altar.
The
people in the mural appear
to react joyfully to the elimination of billions of people. The NWO plan
to mix animals with humans to create a new species is revealed as the
baby tigers have human faces. All animals and people in the mural focus
their attention on a new god represented by a genetically modified
plant. The genetically modified plant is important because total control
in the NWO is achieved by a one world currency and withholding food from
people failing to worship a New Age god. The people in the mural
celebrate a New Age religion that promotes the individual becoming god.
A rejected Christ is shown as a small dove trapped in the New Age plant.
Whales leap out of the water to celebrate with humanity the arrival of
the NWO.
Understanding many of the symbols, including the gargoyles, embedded
floor symbols, the swastika shaped runway, or even the shape of the
airport roof is harder to decipher. Gargoyles are a symbol for evil and
are sometimes used to scare people.
A
legend from around 631 to 641 AD provides some insights on gargoyles.
The legend is St. Romanus delivered the people in what is today Rouen,
France from a monster called Gargouille. St. Romanus was a former
chancellor of the Merovingian king Clotaire II. The gargoyle of this
legend was a dragon with bat like wings and the ability to breathe fire
from its mouth. St. Romanus defeats the beast and tries to burn the head
and neck but cannot because the fire breath has tempered this part of
its body. As a result the head was mounted on the exterior walls of a
newly built church to scare off evil spirits. On the outside of a church
gargoyles were believed to keep evil out but when put inside a building,
as is the case at the Denver Airport,
the NWO belief is that gargoyles keep evil in the building.
On a
related note to keeping evil in the Denver Airport,
unlike most airports that have fences designed to keep people out, the
Denver Airport barb
wire on its fences faces inside. This airport is different from other
U.S. airports in that it has a large underground facility. The runways
are also unique as the swastika shape is believed by the NWO to attract
and focus dark spiritual energy, which also explains the shape of the
airport roof.
The
natural question is why would the NWO want to attract and focus a dark
energy. A brief
explanation is the NWO believes dark energy helps them keep the public
in the dark and thereby minimize one-world government resistance.
The
symbols embedded in the floor appear to be carefully crafted calls for
acts of evil. Each embedded message has an innocent meaning and a dark
meaning. For example, across from the mural I described as "World War
III," the letters Au and Ag are in the floor and depicted in a cart. The
innocent meaning is that the letters are simply the periodic table
symbols for gold and silver. The likely darker meaning is when the
Antichrist controls the world and a one-world currency is needed to buy
food, gold and silver forms of currency will be made illegal and carted
away.
The
reason the pale horse of death and other occult symbols are at the
Denver Airportis that
this facility was created to be the NWO's primary processing facility
should eliminating a domestic NWO resistance in America be deemed
necessary. There are over 100 other lesser processing sites around the
country established as part of a classified program that during the
Reagan administration was called Rex 84. Rex 84 is a contingency plan
and the infrastructure is constructed. It may never be needed because if
people continue watching TV and remain asleep as their liberties are
stripped away, there may not be a need to make it operational.
People in Germany once thought sending people to death camps could never happen in their country. Could people ever be rounded up and sent to concentration camps here? The answer is not only yes but the series of Executive Orders giving the ice thin perception the concentration camps would be legal already exist. Executive Orders associated with the Federal Emergency Management Agency suspend the Constitution and the Bill of Rights. Over the last few decades the NWO has broadened the Federal Emergency Management Agency powers with additional Executive Orders. The Executive Orders build on earlier legislation that restricts personal freedoms such as the 1950 Defense Production Act and the National Security Act of 1947. We should also not forget that a classified version of the Patriot Act exists. All it takes to enforce Executive Orders to turn the U.S. into an extreme fascist state is the stroke of the president's pen.
The Denver Airport has many more occult symbols, including a sun and black disk in the Great Hall. I recommend looking for the Denver Airport logo and then turning it upside down. You will see the number 666 which is the number of the Antichrist.